Adobe Premiere Cs 6 Reading Only One Audio Channel

Mapping source and output audio channels

Mapping the sound channels in clips determines the type and number of audio tracks in which they appear in a sequence. Also, mapping channels determines their destination channels within the principal runway, and therefore in the final output file. For example, if you map channels i and two in a stereo clip to the Left-Front and Right-Forepart channels in a 5.1-channel master track, the two source channels appear as a single v.1-aqueduct track when placed into a sequence. They feed the Left-Front end and Right-Front channels of the master track. When the concluding output is played through a 5.1-channel surround sound arrangement, the original two channels play through the Left-Front and Correct-Front speakers, respectively.

Karl Soule shows how to map audio channels in Premiere Pro in this video tutorial. This video is for editors dealing with footage using split-mono tracks (voice on 1 track, ambient audio on another). This quick tutorial on audio channel mapping is a must-run across.

Past default, clip sound channels are mapped to the primary track when they are captured or imported into a projection. Yous tin can specify how Premiere Pro maps them by selecting a Default Track Format in the Source Channel Mapping pane of the Audio Preferences dialog box. You tin can also change how clip audio channels are mapped subsequently importing them into a project.

Finally, y'all can specify which output channels Premiere Pro uses to monitor each audio channel. For example, you can monitor the left channel of stereo tracks through the left-front speaker of your computer speaker system. Prepare this default in the Audio Output Mapping Preferences dialog box.

Map source audio channels on import

Y'all can specify how Premiere Pro automatically maps clip audio channels to audio tracks and the Master Rail on import or capture.

Select Edit > Preferences > Sound (Windows), or Premiere Pro > Preferences > Audio (Mac OS).



Sound Preferences dialog box

In the Audio Tracks section of the Sound Preferences dialog box, select a format from the Default Runway Format menu.

Modify the source audio channel mapping for ane or more clips

Select 1 or more clips containing audio in the Projection console and cull Clip > Modify > Audio Channels.

If you select more than than one audio prune, make sure that the track format is the aforementioned for all the selected clips.



Audio output channel mapping for a stereo rail

In the Audio Channels pane of the Modify Clip dialog box, practise whatever of the following:

• Select a format from the Channel Format listing.

• To enable or disable an audio channel, select or deselect the Enable option for a source channel. When you add together a clip to a sequence, Premiere Pro adds merely the enabled channels to a Timeline panel.

• To map a source channel to a different output track or channel, drag a track or aqueduct icon to another source channel row. This footstep swaps the output channels or tracks for the two source channels.

When you view a clip with remapped source channels in a Timeline panel, the tracks appear in ascending guild. However, the mapping determines their associated source channels.

• To map less than six source channels to the output channels in v.1 surroundings audio, drag the aqueduct icon to another source channel row. Alternatively, click the 5.i Channel icon until the source channel is mapped to the desired output channel.



Audio output channel mapping for a v.1 track

To preview the sound in a channel, select the source aqueduct and click the Playback button or utilize the slider.

You cannot modify audio channels of a merged prune. They must be mono by default. However, you can still reorder and enable/disable all of the available audio channels from the component clips.

Map P2 clip audio for export to P2

Y'all tin export sound in P2 sequences back to their original 4 channels if you map prune sound channels to five.1 channels correctly. You can export to four channels, for case, if you desire to transfer your concluding output file back to P2 media. Map the channels in your P2 clips before placing them into a sequence, and earlier using the File > Consign To Panasonic P2 command.

If you leave P2 clips at their default mono channel mapping, use them in a sequence with a v.1 master track, and export that sequence to P2, the exported file contains sound just in the 3rd and fourth channels.

Import the clips into a P2 projection containing a sequence with a five.ane master rails.

In the Project panel, select the clip or clips y'all want to map.

Select Prune > Modify > Audio Channels.

Under Track Format, click 5.ane.

If necessary, click the 5.1 channel icons until they map the four source channels in this way:

• Ch. ane to Left-Front Channel.

• Ch. ii to Right-Front Aqueduct.

• Ch. 3 to Left-Rear Channel.

• Ch. 4 to Right-Rear Aqueduct.

Map sequence audio channels to audio output device hardware channels

You tin can specify the channel in a target hardware sound device for each aqueduct in a sequence Main rails. You map channels in the Sound Output Mapping pane of the Preferences dialog box. Premiere Pro plays each sequence channel through the hardware channel you specify. For example, your project could have a 5.1-aqueduct sequence, simply your system hardware might support only 2 channels. Y'all could specify which of the two hardware channels carries each of the half-dozen sequence channels.

xvi-channel sequences, however, remain mapped to 16 output channels if the selected hardware device has fewer than 16 channels. For example, the selected device could take simply two channels. You lot could then map merely the first two channels of a 16-aqueduct sequence to the 2 hardware channels.

In the Audio Output Mapping pane, you can map sequence channels to whatever supported hardware device installed in your reckoner, non just the device currently activated. However, you encounter and hear the channel mapping y'all specify for a device only when the device is activated. Mapping sequence sound channels to the device does not activate the device. To activate an sound hardware device, select information technology in Audio Hardware preferences. For more data, encounter Specify ASIO device settings (Windows just).

To map sequence channels for a hardware device, you starting time select the device in the Map Output For menu. The list below the Map Output For menu shows the hardware channels supported past the device chosen. You lot then map sequence channels to each hardware channel using aqueduct tiles.

For instance, if you choose a third-party 16-channel audio device, the list shows 16 hardware channels. If yous choose a stereo device, the list shows merely two hardware channels. Tiles to the right of each channel name in the list represent the three types of sequence channels you tin can map to that hardware channel: stereo, 5.1, and 16-channel.

By default, Premiere Pro selects Premiere Pro WDM Sound (Windows), or Built-in (Mac Os) as the device. However, if your calculator has a supported 3rd-political party sound device installed, information technology appears in the Map Output For carte du jour. Select the third-party device to make its supported channels announced in the listing.

Cull Edit > Preferences > Audio Hardware (Windows) or Premiere Pro > Preferences > Sound Hardware (Mac OS).

From the Map Output For menu in the Audio Hardware tab, cull the driver for the device desired. By default, Premiere Pro selects Desktop Sound (Windows) or Built-In (Mac Os).

Elevate the desired sequence channel tile into line with the desired hardware channel in the listing.

You can extract sound from clips and generate new sound master clips in a projection. The original master clips are preserved. Whatsoever source channel mappings, gain, speed, duration, and interpret footage adjustments in the original chief clips are applied to the new, extracted audio clips.

In the Project panel, select one or more clips containing audio.

Cull Clip > Audio Options > Extract Audio.

Premiere Pro generates new audio files containing the extracted audio, with the discussion "Extracted" added to the end of the filenames.

Break a stereo rail into mono tracks

The Breakout To Mono command creates mono sound chief clips from a clip's stereo or 5.i environs sound channels. Breaking out a stereo clip results in 2 mono sound chief clips—one for each channel. Breaking out a five.ane surround prune results in 6 mono audio principal clips—again, one for each aqueduct. Premiere Pro preserves the original master clip. The Breakout To Mono control does not create new files, only new master clips with advisable source aqueduct mapping.

In the Projection panel, select a clip containing stereo or 5.1 surround audio.

Cull Clip > Audio Options > Breakout To Mono.

The resulting audio master clips are given filenames reflecting the name of the original clip, followed past the channel names. For example, when Premiere Pro creates two audio master clips from a stereo audio clip named Zoom, it names them Zoom Left and Zoom Right.

The Breakout To Mono command does non create linked clips. To create mono clips that are linked, employ the Source Aqueduct Mappings command.

The Breakout To Mono command works on items in the Project console, non on clips in a sequence in the Timeline console.

Run across Andrew Devis' tutorial "Changing Audio From Stereo to Dual Mono" on the Creative COW website.

Break all stereo tracks into mono tracks

Premiere Pro can automatically interruption out individual stereo and surround channels to discrete monaural clips as each clip is captured or imported.

Cull Edit > Preferences > Audio (Windows) or Premiere Pro > Preferences > Audio (Mac OS).

In the Source Aqueduct Mapping area, choose Mono from the Stereo Media menu.

Employ a mono clip as stereo

Y'all may sometimes find information technology useful to use a mono audio clip equally a stereo clip. Using the Modify Clip dialog box, you can apply a mono clip to a pair of left and correct stereo channels.

In the Project panel, select a mono clip.

Cull Clip > Modify > Sound Channels.

In the Modify Clip dialog box, select Mono As Stereo, and so click OK.

You can employ the Modify Prune command to a mono prune only in the Project panel, before the clip appears in a Timeline panel. You can't catechumen a clip instance to stereo when it'south used in a mono audio track.

Placing sound from one channel of a stereo clip into both channels

If you have a stereo prune with audio recorded in only ane aqueduct, or if y'all have a stereo clip that has sound in ane channel that y'all want to replace with the sound from the other aqueduct, you can use source prune aqueduct mapping, the Fill Left audio filter, or the Fill Right audio filter.

Linking multiple audio clips

You lot tin link one video clip to multiple audio clips and you lot tin can link multiple audio clips together. When you link audio clips in a sequence, you link but the instances of the master clips. The original master audio clips in the Projection panel are untouched.

Linked clips remain synchronized as you move them or trim them in a Timeline console. Yous can apply sound effects, including Book and Panning effects, to all channels in the linked clips. If you make an edit that moves one of the linked clips without moving the others, out-of-sync indicators announced.

You tin display and trim a multi-prune link in the Source Monitor. You can view and play only one channel at a time in the Source Monitor. If the linked clips comprise markers, the Source Monitor timeline displays markers only for the displayed runway. If the Source Monitor displays a multi-clip link from the Projection panel, y'all can utilise the Overwrite or Insert buttons to add the linked clips to separate tracks in a Timeline panel.

The Effect Controls panel displays all the video and sound tracks in a multi-clip link with the practical effects grouped together past track. You tin apply effects from the Effects panel to a specific group in the Effect Controls panel.

Effects practical to audio tracks in multi-clip link displayed in Event Controls panel

Link sound clips

The audio clips must have the same channel blazon and each clip must be on a different track. If clips are already linked, such as an audio clip linked to a video clip, they must exist unlinked before y'all tin create a multi-clip link.

If necessary, select each linked video and sound clip, or select multiple clips, and choose Clip > Unlink.

• Shift-click to select each audio prune on dissever tracks in a Timeline panel. You lot may too shift-click to select a video prune.

• Shift-click to select more than one sound clip on carve up tracks in a Timeline panel.

All audio clips must have the same rails format (mono, stereo, or 5.1 surround).

Edit a multi-clip link in the Source Monitor

In a Timeline panel, double-click a linked clip.

Cull a track from the Track carte to display a specific channel.

(Optional) Specify the In and Out points for a track.

Specifying the In and Out points for a specific rail applies the same corporeality of trimming to the In and Out points of the other linked tracks. The In and Out points of linked tracks with different durations will be different. The In and Out points of linked clips are the aforementioned only if they accept identical durations.

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Source: https://helpx.adobe.com/in/prelude/using/clips-channels-tracks.html

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